{"id":497,"date":"2013-03-20T13:57:55","date_gmt":"2013-03-20T12:57:55","guid":{"rendered":"http:\/\/prosefest.rs\/?p=497"},"modified":"2022-05-18T08:17:36","modified_gmt":"2022-05-18T07:17:36","slug":"claudio-magris","status":"publish","type":"post","link":"https:\/\/prosefest.rs\/en\/2010\/claudio-magris\/","title":{"rendered":"Claudio Magris"},"content":{"rendered":"<p><b><a href=\"http:\/\/prosefest.rs\/wp-content\/uploads\/Magris-malo.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-498\" alt=\"Claudio Magris\" src=\"http:\/\/prosefest.rs\/wp-content\/uploads\/Magris-malo-300x255.jpg\" width=\"300\" height=\"255\" \/><\/a>Claudio Magris<\/b> (Trieste, 1939) is a novelist, storyteller, essayist, dramatist, and literary historian.<br \/>\nHe is one of the most prominent contemporary Italian authors.<br \/>\nFor decades Magris has worked as a professor of modern German literature at the University of Trieste. He has written a series of books on the history and culture of Central, Southern and South-eastern Europe.<br \/>\nMagris\u2019 writings on Joseph Roth, Robert Musil, Italo Svevo, E.T.A. Hoffmann, Hermann Hesse, Henrik Ibsen and Jorhe Luis Borges are famous. He has been a columnist for the Italian newspaper Corriere della Sera.<br \/>\nHis most important prose books: <b><i>Inferences from a Sabre<\/i><\/b> (1984), <b><i>Danube: A Sentimental Journey from the Source to the Black Sea<\/i><\/b> (1986), <b><i>A Different Sea<\/i><\/b> (1991), <b><i>Microcosms<\/i><\/b> (1997), <b><i>Sightlessly<\/i><\/b> (2005), <b><i>You Will, Surely, Understand<\/i><\/b> (2006).<br \/>\nDrama: <b><i>Stadelmann<\/i><\/b> (1988).<br \/>\nThe most important books of essays and literary-historical studies: <b><i>The Habsburg Myth in Modern Austrian Literature<\/i><\/b> (1963), <b><i>Trieste: A Border Identity<\/i><\/b> (co-authored with Angelo Ara, 1982), <b><i>Utopia and Disillusionment<\/i><\/b> (1999), <b><i>An Unfinished Journey<\/i><\/b> (2005), <b><i>The Story Is Not Over Yet<\/i><\/b> (2006).<br \/>\nClaudio Magris\u2019 prose, essays and studies have been translated into all major languages.<br \/>\nHe has received a number of literary awards and recognitions the most important among which are: the <i>Strega Prize<\/i>, the <i>Erasmus Prize<\/i>, <i>Prince of Austria Award<\/i>, the <i>Austrian State Award for Literature<\/i>, the <i>Walter Hallstein Prize<\/i>, <i>European Communication Award<\/i> of the <i>Leipzig Book Fair Award<\/i>, the <i>Tomasi di Lampedusa Prize<\/i>, the <i>W\u00fcrth Prize<\/i> for European Literature, the <i>Vilenica Award<\/i>, the <i>Jean<\/i> <i>Monet Prize<\/i>, and the <i>Peace Prize<\/i> of the German Book Trade.<br \/>\nClaudio Magris\u2019 name has occurred in recent years as one of the major candidates for the <i>Nobel Prize<\/i> for Literature.<br \/>\nHe lives in Trieste.<\/p>","protected":false},"excerpt":{"rendered":"<p>Claudio Magris (Trieste, 1939) is a novelist, storyteller, essayist, dramatist, and literary historian. He is one of the most prominent contemporary Italian authors. For decades Magris has worked as a professor of modern German literature at the University of Trieste. He has written a series of books on the history and culture of Central, Southern [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":498,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"footnotes":""},"categories":[11,28],"tags":[],"class_list":["post-497","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-11","category-ucesnici-2010"],"acf":[],"_links":{"self":[{"href":"https:\/\/prosefest.rs\/en\/wp-json\/wp\/v2\/posts\/497","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/prosefest.rs\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/prosefest.rs\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/prosefest.rs\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/prosefest.rs\/en\/wp-json\/wp\/v2\/comments?post=497"}],"version-history":[{"count":4,"href":"https:\/\/prosefest.rs\/en\/wp-json\/wp\/v2\/posts\/497\/revisions"}],"predecessor-version":[{"id":4365,"href":"https:\/\/prosefest.rs\/en\/wp-json\/wp\/v2\/posts\/497\/revisions\/4365"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/prosefest.rs\/en\/wp-json\/wp\/v2\/media\/498"}],"wp:attachment":[{"href":"https:\/\/prosefest.rs\/en\/wp-json\/wp\/v2\/media?parent=497"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/prosefest.rs\/en\/wp-json\/wp\/v2\/categories?post=497"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/prosefest.rs\/en\/wp-json\/wp\/v2\/tags?post=497"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}