{"id":648,"date":"2013-03-29T10:17:00","date_gmt":"2013-03-29T09:17:00","guid":{"rendered":"http:\/\/prosefest.rs\/?p=648"},"modified":"2019-09-20T10:33:16","modified_gmt":"2019-09-20T09:33:16","slug":"soe-valdes","status":"publish","type":"post","link":"https:\/\/prosefest.rs\/en\/2013\/soe-valdes\/","title":{"rendered":"Zo\u00e9 Vald\u00e9s"},"content":{"rendered":"

\"Zo\u00e9<\/a>
\u0444\u043e\u0442\u043e: Attys Luna Vega<\/figcaption><\/figure><\/p>\n

About the author<\/i><\/p>\n

Born in Havana, on 2nd<\/sup> May 1959, the same year when Cuban revolution triumphed, Zo\u00e9 Vald\u00e9s grew up with her mother. Among her ancestors is one grandfather of Chinese origin, the other of Spanish, one grandmother of Irish and the other of African descent. She started her first studies at the College of Pedagogy Enrique Jos\u00e9 Varona<\/i>, but she did not graduate. After that she enrolled in the Faculty of Philology in Havana, where she completed two years of studies. She is the first generation of the young who were brought up in the spirit of the revolution\u2019s victory. In the mid 1980s she left for France, Paris, where she studied at the Alliance <\/i><\/b>fran\u00e7aise and worked at the Delegation of Cuba at UNESCO and the Office of Culture of the Cuban Embassy. She returned to Cuba in 1988 and took part in the artistic movement, believing that this could lead to changes. She worked as an editor for the magazine Cuban Film <\/i>and as a screenwriter for the Cuban Film Institute of Art and Industry, <\/i>after starting this project in Paris. In 1990, she left for the USA to shoot the film Parallel Lives, <\/i>which was eventually filmed in Venezuela.\u00a0\u00a0\u00a0\u00a0 <\/i><\/p>\n

In the early 1990s her problems with the regime became more serious. Her continuous and direct opposition to Castro\u2019s regime, due to concurrent events in particular (Port Mariel, the crisis of the ferrymen, the exodus of Cuban emigrants to Miami), accelerated her definitive exile to Paris, together with her husband, filmmaker Ricardo Vega, and her daughter Atis Luna in 1995. She has been living and working in Paris ever since. She received Spanish citizenship in 1997. She is censored in her homeland, so her novels can be found only on the black market.<\/p>\n

Zo\u00e9 Vald\u00e9s is a member of the French Order of Arts and Letters. <\/i>She has been presented with the \u2018Keys of Forida\u2019 in 1991; she became a Doctor Honoris Causa <\/i>at the University of Valenciennes, France, in 2005. She has received a number of literary awards: the first prize for poetry \u2018Roque Dalton<\/a> y Jaime Su\u00e1rez\u2019 for her book Respuestas para vivir<\/i> (Responses to Life, <\/i>1982), <\/i>the Carlos Ortiz<\/i> Poetry Award for the book of poetry Todo para una sombra (All for a Shadow,<\/i>1985). She was a finalist for the prestigious Vertical Smile and Women\u2019s Narrative Award A New Word<\/i> for the novel Sangre azul<\/i> (Blue Blood<\/i>, 1997); the first Coral<\/i> prize for best screenplay for Vidas paralelas<\/i> (Parallel Lives<\/i>, 1990) at the 12th<\/sup> International Festival of New Latin American Film; the first prize for short novel Juan March Cencillo<\/i> for the novel La hija del embajador<\/i> (Ambassador\u2019s Daughter<\/i>, 1995); the finalist of the Planeta<\/i> Award for the novel Te di la vida entera<\/i> (I Have Given You My Whole Life<\/i>, 1996); the Liberatur <\/i>Prize for La nada cotidiana<\/i> (Everyday Nothingness<\/i>, 1997), the Fernando Lara Award for the novel Lobas de Mar<\/i> (The Sea She-Wolfs<\/i>, 2003); the City of Tore la Vieja <\/i>Award for the novel La eternidad del instante<\/i> (The Eternity of a Moment<\/i>, 2004). He latest novel La mujer que llora (The Weeping Woman) <\/i>was awarded the Azorin<\/i> Novel Prize in March 2013.<\/p>\n

Zo\u00e9 Vald\u00e9s contributes to various journals all over the world, regularly writes on social networks, participates in different debates, both intellectual and political, openly sharing with the public and her audience her personal and public attitudes and her association with the Cuban opposition from exile.\u00a0 She publishes in Spanish and French newspapers: El Pais<\/i><\/a>, El Mundo<\/i><\/a>, El Semanal<\/i>, Qu\u00e9 leer<\/i>, Elle<\/i><\/a>, Vogue<\/i><\/a>, Le Monde<\/i><\/a>, Lib\u00e9ration<\/i><\/a>, Le Nouvel Observateur<\/i><\/a>, Beaux Arts<\/i>, and Les Inrockuptibles<\/i>. Her personal blog, which is very popular, has a following of several hundred thousand people, among whom there are many intellectuals of the world renown. She is very active and posts comments on the blogs of other writers (Vargas Llosa, Coelho) in her typical direct style, without beating around the bush.<\/p>\n

Zo\u00e9 Vald\u00e9s participates in literary congresses, film festivals, always publically and loudly speaking her mind as a human rights activist. Her recent public contributions have been numerous and attracted attention all over Europe and the USA, most of them occurring in Miami, where the Cuban immigrant population is largest. Her positions are always stated openly and publically in her novels, as well as in her columns, conferences, on public networks and in her public appearances.\u00a0<\/p>\n

She started writing at the age of 17, debuting in poetry, where she says she still feels at home. She soon went on to write novels, but her writing and talent show the same qualities in both fields. Despite her great success in prose writing, her poetry is very tender, full of sensuality and eroticism, with the eternal themes of desire and transiency of time.\u00a0<\/p>\n

Zo\u00e9 Vald\u00e9s\u2019 work is imbued with themes typical of women\u2019s narrative, with many references to sexuality and music, above all. She defends women, understands them, speaks about their problems and emotions, misinterpretation by others, more or less close, about their difficult status, often despise they receive from many: family, husbands, lovers, but most of all, the society. In her work there is a lot of politics, Cuban reality, as well as ignorance, globalisation on a universal level, which she criticises without watching her tongue. \u00a0<\/p>\n

Her literary opus is usually categorised by contemporary critics as the new genre \u2013 literature de urgencia <\/i>(urgent literature, literature which does not hold back). Her works reflect wide knowledge of culture, history, literature. She often quotes well-known writers, both contemporary and classical. Her works are easy to read, with alternating first and third persons singular, short, sharp thoughts, but, it requires an intellectual reader, who is familiar with art in all its forms as well as technology, who is informed about the most current events in the world arena.\u00a0\u00a0<\/p>\n

The first published work, the book of poems Responses to Life, <\/i>appeared in 1986, followed by: All for a Shadow (1986), <\/i>which, due to the Taifa<\/i> Award, gained her prominence in the Iberian Peninsula; The Smokers\u2019 Car <\/i>(1996), Poems about Havana <\/i>(1997), Wires of a Lynx <\/i>(1999) and Moon Earrings <\/i>(1999) which were a significant part of her poetical work. Lyrical tone imbues her entire opus, together with the obsessions and passions of constant evocation and returning to her hometown.\u00a0\u00a0\u00a0 \u00a0\u00a0<\/i>\u00a0<\/p>\n

She published her first novel Blue Blood <\/i>in 1993. A book of short prose. Many of her writings were published after she finally left Cuba. Two years later, the same year when she found her permanent residence in Paris in 1995, she published the novel Ambassador\u2019s Daughter. <\/i>This novel places a special emphasis on the female being, is direct in style and has a lot of eroticism. Soon afterwards, she published one of her best-known books, Everyday Nothingness <\/i>(1995), where she speaks of the adventures of a Cuban girl, went through her formative period in the first years of the Cuban revolution. This is the novel that would bring her international acclaim and popularity, with translations in more than 20 languages, and followed by a kind of a sequel All the Everydayness <\/i>(2010). <\/i>\u00a0\u00a0\u00a0<\/span><\/p>\n

\u041f\u0440\u0432\u0438 \u0440\u043e\u043c\u0430\u043d \u041f\u043b\u0430\u0432\u0430 \u043a\u0440\u0432<\/i> \u043e\u0431\u0458\u0430\u0432\u0438\u043b\u0430 \u0458\u0435 1993. \u041a\u045a\u0438\u0433\u0430 \u043f\u043e\u0435\u0442\u0441\u043a\u0435 \u043f\u0440\u043e\u0437\u0435. \u041c\u043d\u043e\u0433\u0430 \u0434\u0435\u043b\u0430 \u0421\u043e\u0435 \u0412\u0430\u043b\u0434\u0435\u0441 \u0438\u0437\u0434\u0430\u0442\u0430 \u0441\u0443 \u043d\u0430\u043a\u043e\u043d \u045a\u0435\u043d\u043e\u0433 \u0434\u0435\u0444\u0438\u043d\u0438\u0442\u0438\u0432\u043d\u043e\u0433 \u043e\u0434\u043b\u0430\u0441\u043a\u0430 \u0441\u0430 \u041a\u0443\u0431\u0435. \u0414\u0432\u0435 \u0433\u043e\u0434\u0438\u043d\u0435 \u043a\u0430\u0441\u043d\u0438\u0458\u0435, \u0438\u0441\u0442\u0435 \u0433\u043e\u0434\u0438\u043d\u0435 \u043a\u0430\u0434\u0430 \u0441\u0435 \u0438 \u0437\u0430 \u0441\u0442\u0430\u043b\u043d\u043e \u043d\u0430\u0441\u0442\u0430\u045a\u0443\u0458\u0435 \u0443 \u041f\u0430\u0440\u0438\u0437\u0443, 1995. \u043e\u0431\u0458\u0430\u0432\u0459\u0443\u0458\u0435 \u0440\u043e\u043c\u0430\u043d \u0410\u043c\u0431\u0430\u0441\u0430\u0434\u043e\u0440\u043e\u0432\u0430 \u043a\u045b\u0438<\/i>. \u041e\u0432\u043e \u0434\u0435\u043b\u043e \u0441\u0442\u0430\u0432\u0459\u0430 \u043f\u043e\u0441\u0435\u0431\u0430\u043d \u0430\u043a\u0446\u0435\u043d\u0430\u0442 \u043d\u0430 \u0436\u0435\u043d\u0441\u043a\u043e \u0431\u0438\u045b\u0435, \u0434\u0438\u0440\u0435\u043a\u0442\u043d\u043e\u0433 \u0458\u0435 \u0441\u0442\u0438\u043b\u0430 \u0438 \u043f\u043e\u0441\u0435\u0434\u0443\u0458\u0435 \u0432\u0435\u043b\u0438\u043a\u0443 \u0434\u043e\u0437\u0443 \u0435\u0440\u043e\u0442\u0438\u0437\u043c\u0430. \u0423\u0431\u0440\u0437\u043e \u043f\u043e\u0442\u043e\u043c \u043e\u0431\u0458\u0430\u0432\u0459\u0443\u0458\u0435 \u0458\u0435\u0434\u043d\u0443 \u043e\u0434 \u0441\u0432\u043e\u0458\u0438\u0445 \u043d\u0430\u0458\u043f\u043e\u0437\u043d\u0430\u0442\u0438\u0458\u0438\u0445 \u043a\u045a\u0438\u0433\u0430, \u0421\u0432\u0430\u043a\u043e\u0434\u043d\u0435\u0432\u043d\u043e \u043d\u0438\u0448\u0442\u0430\u0432\u0438\u043b\u043e<\/i> (1995), \u0433\u0434\u0435 \u0441\u0435 \u0438\u0437\u043d\u043e\u0441\u0435 \u043f\u0435\u0440\u0438\u043f\u0435\u0442\u0438\u0458\u0435 \u0458\u0435\u0434\u043d\u0435 \u043c\u043b\u0430\u0434\u0435 \u041a\u0443\u0431\u0430\u043d\u043a\u0435, \u0444\u043e\u0440\u043c\u0438\u0440\u0430\u043d\u0435 \u0443 \u043f\u0440\u0432\u0438\u043c \u0433\u043e\u0434\u0438\u043d\u0430\u043c\u0430 \u0440\u0435\u0432\u043e\u043b\u0443\u0446\u0438\u0458\u0435. \u0422\u043e \u0458\u0435 \u0440\u043e\u043c\u0430\u043d \u043a\u043e\u0458\u0438 \u045b\u0435 \u0458\u043e\u0458 \u0434\u043e\u043d\u0435\u0442\u0438 \u0441\u0432\u0435\u0442\u0441\u043a\u0443 \u0441\u043b\u0430\u0432\u0443 \u0438 \u043f\u043e\u043f\u0443\u043b\u0430\u0440\u043d\u043e\u0441\u0442, \u043f\u0440\u0435\u0432\u0435\u0434\u0435\u043d \u0458\u0435 \u043d\u0430 \u0432\u0438\u0448\u0435 \u043e\u0434 20 \u0458\u0435\u0437\u0438\u043a\u0430, \u0430 \u0434\u043e\u0436\u0438\u0432\u0435\u043e \u0458\u0435 \u0438 \u0441\u0432\u043e\u0458\u0435\u0432\u0440\u0441\u0442\u0430\u043d \u043d\u0430\u0441\u0442\u0430\u0432\u0430\u043a, \u0421\u0432\u0430 \u0441\u0432\u0430\u043a\u043e\u0434\u043d\u0435\u0432\u043d\u0438\u0446\u0430<\/i> (2010). <\/span><\/p>\n

Novels that followed are: I Have Given You My Whole Life<\/i> (1996), The Nostalgia Cafe<\/i> (1997), story collection Beauty Traders <\/i>(1998), Dear First Boyfriend <\/i>(1999), A Miracle in Miami <\/i>(2001), My Father\u2019s Foot<\/i> (2002). Sea She-Wolves<\/i> (2003) is a novel about adventures at sea, and is quite reminiscent of the 19th<\/sup> British novel. The Eternity of a Moment <\/i>(2004), according to the authoress \u2018a novel of silence and the vast treasure of words\u2019,\u00a0 is a novel about the Chinese emigrants in Cuba during the 19th<\/sup> and 20th<\/sup> century.<\/p>\n

Her latest novels are Dancing with Life <\/i>(2006), an erotic novel whose protagonist is a writer and which is set against the background of London and New York, A Woman Star-Hunter <\/i>(2007), where a Cuban poetress starts a seemingly ordinary relationship with a female surrealist painter Remedios Varo. Fiction Fidel, <\/i>a novel-essay (2007), where Castro is represented as a Frankenstein, a manipulator of the world rank, a marketing specialist, who has his own product \u2013 the revolution, and his hero Che. <\/i>That is how he was able to buy the whole world. The book is full of personal pain and rage. The already mentioned novel All Everydayness <\/i>(2010) is a sequel to the Everyday Nothingness, <\/i>but at the same time it is an independent novel. And in her latest novel, just out of press (April 2013) A Weeping Woman, <\/i>she returns to her everlasting inspiration, art and love. It is a novel written for six years, which speaks \u2018about art, solitude and us who still believe in art\u2019, as the authoress said at the presentation of this award. The protagonist is Dora Mar, Picasso\u2019s lover for ten years, who completely withdrew after the break-up of their relationship and left for Venice, with a male couple. Once again, Zo\u00e9 Vald\u00e9s showed us how fascinated she is with surrealism, as well as her already known ghosts and mysteries. The novel will be published by Planeta from Barcelona in April.\u00a0\u00a0\u00a0 \u00a0<\/i>\u00a0<\/span><\/p>\n

\u00a0\u0433\u0434\u0435 \u0458\u0435\u0434\u043d\u0430 \u043a\u0443\u0431\u0430\u043d\u0441\u043a\u0430 \u043f\u0435\u0441\u043d\u0438\u043a\u0438\u045a\u0430 \u0437\u0430\u043f\u043e\u0447\u0438\u045a\u0435 \u043d\u0430\u0438\u0437\u0433\u043b\u0435\u0434 \u043e\u0431\u0438\u0447\u043d\u0443 \u0432\u0435\u0437\u0443 \u0441\u0430 \u043d\u0430\u0434\u0440\u0435\u0430\u043b\u0438\u0441\u0442\u0438\u0447\u043a\u043e\u043c \u0441\u043b\u0438\u043a\u0430\u0440\u043a\u043e\u043c \u0420\u0435\u043c\u0435\u0434\u0438\u043e\u0441 \u0412\u0430\u0440\u043e. \u0424\u0438\u043a\u0446\u0438\u0458\u0430 \u0424\u0438\u0434\u0435\u043b<\/i>, \u0440\u043e\u043c\u0430\u043d \u0435\u0441\u0435\u0458, (2007), <\/span>\u0433\u0434\u0435 \u0458\u0435 \u041a\u0430\u0441\u0442\u0440\u043e \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u0459\u0435\u043d \u043a\u0430\u043e \u0424\u0440\u0430\u043d\u043a\u0435\u043d\u0448\u0442\u0430\u0458\u043d, \u043c\u0430\u043d\u0438\u043f\u0443\u043b\u0430\u0442\u043e\u0440 \u0441\u0432\u0435\u0442\u0441\u043a\u043e\u0433 \u0440\u0430\u043d\u0433\u0430, \u0441\u043f\u0435\u0446\u0438\u0458\u0430\u043b\u0438\u0441\u0442\u0430 \u0437\u0430 \u043c\u0430\u0440\u043a\u0435\u0442\u0438\u043d\u0433, \u043a\u043e\u0458\u0438 \u0438\u043c\u0430 \u0441\u0432\u043e\u0458 \u043f\u0440\u043e\u0438\u0437\u0432\u043e\u0434 \u2013 \u0440\u0435\u0432\u043e\u043b\u0443\u0446\u0438\u0458\u0443, \u0441\u0432\u043e\u0433 \u0445\u0435\u0440\u043e\u0458\u0430 \u0427\u0435\u0430.<\/i> \u0422\u0430\u043a\u043e \u0458\u0435 \u043a\u0443\u043f\u0438\u043e \u0447\u0438\u0442\u0430\u0432 \u0441\u0432\u0435\u0442. \u041a\u045a\u0438\u0433\u0430 \u0458\u0435 \u043f\u0443\u043d\u0430 \u043b\u0438\u0447\u043d\u043e\u0433 \u0431\u043e\u043b\u0430 \u0438 \u0431\u0435\u0441\u0430. <\/span>\u0412\u0435\u045b \u043f\u043e\u043c\u0435\u043d\u0443\u0442\u0438 \u0440\u043e\u043c\u0430\u043d \u0421\u0432\u0430 \u0441\u0432\u0430\u043a\u043e\u0434\u043d\u0435\u0432\u043d\u0438\u0446\u0430 <\/i>(2010), \u043d\u0430\u0441\u0442\u0430\u0432\u0430\u043a \u0458\u0435 \u0421\u0432\u0430\u043a\u043e\u0434\u043d\u0435\u0432\u043d\u043e\u0433 \u043d\u0438\u0448\u0442\u0430\u0432\u0438\u043b\u0430<\/i>, \u0430 \u0443 \u0438\u0441\u0442\u043e \u0432\u0440\u0435\u043c\u0435 \u0438 \u043d\u0435\u0437\u0430\u0432\u0438\u0441\u0430\u043d \u0440\u043e\u043c\u0430\u043d. \u0418 \u043f\u043e\u0441\u043b\u0435\u0434\u045a\u0438, \u0443\u043f\u0440\u0430\u0432\u043e \u043e\u0431\u0458\u0430\u0432\u0459\u0435\u043d\u0438 \u0440\u043e\u043c\u0430\u043d (\u0430\u043f\u0440\u0438\u043b 2013) \u0416\u0435\u043d\u0430 \u043a\u043e\u0458\u0430 \u043f\u043b\u0430\u0447\u0435<\/i>, \u0433\u0434\u0435 \u0441\u0435 \u043e\u043f\u0435\u0442 \u0432\u0440\u0430\u045b\u0430 \u0432\u0435\u0447\u0438\u0442\u043e\u0458 \u0438\u043d\u0441\u043f\u0438\u0440\u0430\u0446\u0438\u0458\u0438, \u0443\u043c\u0435\u0442\u043d\u043e\u0441\u0442\u0438 \u0438 \u0459\u0443\u0431\u0430\u0432\u0438. \u0420\u0435\u0447 \u0458\u0435 \u043e \u0434\u0435\u043b\u0443 \u043a\u043e\u0458\u0435 \u0458\u0435 \u0441\u0442\u0432\u0430\u0440\u0430\u043d\u043e \u0448\u0435\u0441\u0442 \u0433\u043e\u0434\u0438\u043d\u0430, \u043a\u043e\u0458\u0435 \u0433\u043e\u0432\u043e\u0440\u0438 \u201e\u043e \u0443\u043c\u0435\u0442\u043d\u043e\u0441\u0442\u0438, \u0441\u0430\u043c\u043e\u045b\u0438 \u0438 \u043d\u0430\u043c\u0430 \u043a\u043e\u0458\u0438 \u0458\u043e\u0448 \u0443\u0432\u0435\u043a \u0432\u0435\u0440\u0443\u0458\u0435\u043c\u043e \u0443 \u0443\u043c\u0435\u0442\u043d\u043e\u0441\u0442\u201d, \u043a\u0430\u043a\u043e \u0458\u0435 \u0438\u0437\u0458\u0430\u0432\u0438\u043b\u0430 \u0430\u0443\u0442\u043e\u0440\u043a\u0430 \u043d\u0430 \u0434\u043e\u0434\u0435\u043b\u0438 \u043e\u0432\u0435 \u043d\u0430\u0433\u0440\u0430\u0434\u0435. \u041f\u0440\u043e\u0442\u0430\u0433\u043e\u043d\u0438\u0441\u0442\u0430 \u0458\u0435 \u0414\u043e\u0440\u0430 \u041c\u0430\u0440, \u041f\u0438\u043a\u0430\u0441\u043e\u0432\u0430 \u0459\u0443\u0431\u0430\u0432\u043d\u0438\u0446\u0430 \u0442\u043e\u043a\u043e\u043c \u0434\u0435\u0441\u0435\u0442 \u0433\u043e\u0434\u0438\u043d\u0430, \u043a\u043e\u0458\u0430 \u0441\u0435 \u043d\u0430\u043a\u043e\u043d \u043f\u0440\u0435\u043a\u0438\u0434\u0430 \u0432\u0435\u0437\u0435 \u043f\u043e\u0442\u043f\u0443\u043d\u043e \u043f\u043e\u0432\u0443\u043a\u043b\u0430 \u0443 \u0441\u0435\u0431\u0435 \u0438 \u043e\u0442\u0438\u0448\u043b\u0430 \u0443 \u0412\u0435\u043d\u0435\u0446\u0438\u0458\u0443, \u0441\u0430 \u0458\u0435\u0434\u043d\u0438\u043c \u043c\u0443\u0448\u043a\u0438\u043c \u043f\u0430\u0440\u043e\u043c. \u0408\u043e\u0448 \u0458\u0435\u0434\u043d\u043e\u043c, \u0421\u043e\u0435 \u0412\u0430\u043b\u0434\u0435\u0441 \u043d\u0430\u043c \u0458\u0435 \u043f\u043e\u043a\u0430\u0437\u0430\u043b\u0430 \u043a\u043e\u043b\u0438\u043a\u043e \u0458\u0435 \u043e\u0447\u0430\u0440\u0430\u043d\u0430 \u043d\u0430\u0434\u0440\u0435\u0430\u043b\u0438\u0437\u043c\u043e\u043c, \u043a\u0430\u043e \u0438 \u0441\u0432\u043e\u0458\u0438\u043c \u0432\u0435\u045b \u043f\u043e\u0437\u043d\u0430\u0442\u0438\u043c \u0434\u0443\u0445\u043e\u0432\u0438\u043c\u0430 \u0438 \u043c\u0438\u0441\u0442\u0435\u0440\u0438\u0458\u0430\u043c\u0430. \u0420\u043e\u043c\u0430\u043d \u045b\u0435 \u0441\u0440\u0435\u0434\u0438\u043d\u043e\u043c \u0430\u043f\u0440\u0438\u043b\u0430 \u043e\u0431\u0458\u0430\u0432\u0438\u0442\u0438 \u0438\u0437\u0434\u0430\u0432\u0430\u0447\u043a\u0430 \u043a\u0443\u045b\u0430 \u041f\u043b\u0430\u043d\u0435\u0442\u0430 \u0438\u0437 \u0411\u0430\u0440\u0441\u0435\u043b\u043e\u043d\u0435.<\/span><\/p>\n

Zoe Valdes has written several film screenplays: Parallel Lives <\/i>(Pastor Vega), Amorosa <\/i>(Pilar Tavora), as well as those yet not filmed: Unbalance <\/i>and Prophesy. <\/i>\u00a0Besides this, she has directed with her husband a short film O\u0161uno\u2019s Fondling,<\/i> as well as a documentary about classical ballet. Her cinema works mostly directed by Ricardo Vega are also well-known: Kuba la bella, Return, Roberto Garcia, Newrork <\/i>and Gina Peljon.\u00a0 <\/i>\u00a0\u00a0\u00a0\u00a0<\/i><\/span><\/p>\n

\u0421\u043e\u0435 \u0412\u0430\u043b\u0434\u0435\u0441 \u0458\u0435 \u043d\u0430\u043f\u0438\u0441\u0430\u043b\u0430 \u0438 \u0432\u0438\u0448\u0435 \u0441\u0446\u0435\u043d\u0430\u0440\u0438\u0458\u0430 \u0437\u0430 \u0444\u0438\u043b\u043c\u043e\u0432\u0435: \u041f\u0430\u0440\u0430\u043b\u0435\u043b\u043d\u0438 \u0436\u0438\u0432\u043e\u0442\u0438 <\/i>(\u041f\u0430\u0441\u0442\u043e\u0440 \u0412\u0435\u0433\u0430), \u0410\u043c\u043e\u0440\u043e\u0441\u0430 <\/i>(\u041f\u0438\u043b\u0430\u0440 \u0422\u0430\u0432\u043e\u0440\u0430), \u043a\u0430\u043e \u0438 \u043d\u0438\u043a\u0430\u0434 \u0434\u043e \u0441\u0430\u0434\u0430 \u0441\u043d\u0438\u043c\u0459\u0435\u043d\u0438\u0445: \u041d\u0435\u0440\u0430\u0432\u043d\u043e\u0442\u0435\u0436\u0430 <\/i>\u0438 \u041f\u0440\u043e\u0440\u043e\u0447\u0430\u043d\u0441\u0442\u0432\u043e.<\/i> <\/span>\u041e\u0441\u0438\u043c \u0442\u043e\u0433\u0430, \u043e\u043d\u0430 \u0458\u0435 \u0440\u0435\u0436\u0438\u0440\u0430\u043b\u0430 \u0437\u0430\u0458\u0435\u0434\u043d\u043e \u0441\u0430 \u0441\u0432\u043e\u0458\u0438\u043c \u0441\u0443\u043f\u0440\u0443\u0433\u043e\u043c, \u043a\u0440\u0430\u0442\u043a\u043e\u043c\u0435\u0442\u0440\u0430\u0436\u043d\u0438 \u0444\u0438\u043b\u043c \u041e\u0448\u0443\u043d\u043e\u0432\u0430 \u043c\u0438\u043b\u043e\u0432\u0430\u045a\u0430<\/i>, \u043a\u0430\u043e \u0438<\/span>\u0434\u043e\u043a\u0443\u043c\u0435\u043d\u0442\u0430\u0440\u043d\u0438 \u0444\u0438\u043b\u043c \u043e \u043a\u043b\u0430\u0441\u0438\u0447\u043d\u043e\u043c \u0431\u0430\u043b\u0435\u0442\u0443. \u041f\u043e\u0437\u043d\u0430\u0442\u0430 \u0441\u0443 \u0438 \u045a\u0435\u043d\u0430 \u043a\u0438\u043d\u0435\u043c\u0430\u0442\u043e\u0433\u0440\u0430\u0444\u0441\u043a\u0430 \u0434\u0435\u043b\u0430: Kuba la bella<\/i>, \u041f\u043e\u0432\u0440\u0430\u0442\u0430\u043a<\/i>, \u0420\u043e\u0431\u0435\u0440\u0442\u043e \u0413\u0430\u0440\u0441\u0438\u0458\u0430<\/i>, \u040a\u0443\u0440\u043e\u0440\u043a<\/i>, \u0413\u0438\u043d\u0430 \u041f\u0435\u0459\u043e\u043d, <\/i>\u043a\u043e\u0458\u0435 \u0458\u0435 \u0443\u0433\u043b\u0430\u0432\u043d\u043e\u043c \u0440\u0435\u0436\u0438\u0440\u0430\u043e \u0420\u0438\u043a\u0430\u0440\u0434\u043e \u0412\u0435\u0433\u0430.<\/span><\/p>\n

Her books have been translated into a number of languages, Serbian included (Everyday Nothingness, Sea She-Wolves, The Nostalgia Cafe <\/i>and, the latest, Ambassador\u2019s Daughter). <\/i><\/p>\n

Websites: www.zoevaldes.com.fr<\/a> zoevaldes.wordpress.com<\/a><\/p>\n

<\/p>","protected":false},"excerpt":{"rendered":"

About the author Born in Havana, on 2nd May 1959, the same year when Cuban revolution triumphed, Zo\u00e9 Vald\u00e9s grew up with her mother. Among her ancestors is one grandfather of Chinese origin, the other of Spanish, one grandmother of Irish and the other of African descent. She started her first studies at the College […]<\/p>\n","protected":false},"author":2,"featured_media":628,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"footnotes":""},"categories":[54,55],"tags":[],"class_list":["post-648","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-54","category-ucesnici-2013"],"acf":[],"_links":{"self":[{"href":"https:\/\/prosefest.rs\/en\/wp-json\/wp\/v2\/posts\/648","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/prosefest.rs\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/prosefest.rs\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/prosefest.rs\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/prosefest.rs\/en\/wp-json\/wp\/v2\/comments?post=648"}],"version-history":[{"count":14,"href":"https:\/\/prosefest.rs\/en\/wp-json\/wp\/v2\/posts\/648\/revisions"}],"predecessor-version":[{"id":3859,"href":"https:\/\/prosefest.rs\/en\/wp-json\/wp\/v2\/posts\/648\/revisions\/3859"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/prosefest.rs\/en\/wp-json\/wp\/v2\/media\/628"}],"wp:attachment":[{"href":"https:\/\/prosefest.rs\/en\/wp-json\/wp\/v2\/media?parent=648"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/prosefest.rs\/en\/wp-json\/wp\/v2\/categories?post=648"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/prosefest.rs\/en\/wp-json\/wp\/v2\/tags?post=648"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}